Ana Inés Jabares-Pita is a stage designer. Her work crosses a range of genres: opera, dance, theatre, installation, concerts and film. She also have an extensive grounding in music which make her became interested in sound as part of the scenography. She was recently awarded and artistic residency in Florida to research augmented reality, video games, new technologies with painting.
Some of her most recent work includes: The world premiere of To See the Invisible (Aldeburgh Festival 2018), Cockpit, Charlie Sonata (The Royal Lyceum), Pride and Prejudice *sort of, Daphne Oram and the Wonderful World of Sound (Blood of the Young, Tron Theatre),Aladdin (Perth Theatre), Wish List (Best Studio Production in Manchester Awards, Royal Exchange and Royal Court), George and the Marvellous Medicine (Dundee Rep) and LeLa & Co (Royal Court Theatre), The Echo Chamber (Young Vic).
Ana Inés' work has received multiple awards and nominations including Overall Winner of Linbury Prize for Stage Design 2013 for her design proposal of The Driver's Seat for the NTS, which has been also selected for the World Stage Design exhibition in TAIPEI 2017, 3rd Prize in the European Opera Prize 2016 for a proposal of La Traviata, with the director Max Hoehn. She became part of The Gate Theatre’s Jerwood Young Designers in 2014, for her work Idomeneus which was selected by the V&A in London to become part of their archive. Last year she was the winner on the Design category of the initiative HECHOS DE TALENTO thanks to her trajectory, part of the award involved being the face of Spanish Design in some of the most emblematic places all over the world, among them Picadilly Circus and Times Square in NY.